The room is pitch-black and silent.
I reach over and flip the light switch, flooding the classroom with fluorescent light.
It looks like any old classroom. Desks in rows, a green chalk board, tile floor.
I walk through the desks, weaving my way to the chalkboard. It’s blank, with nothing but chalk dust on it. I dip my fingers into my pocket, pulling out a slim piece of white chalk.
A bird in a cage. The bird breaking free. The bird getting caught, captured. Her wings broken, she is thrust into another cage. This time it is lovely, large, detailed, beautiful. But it is still a cage. The bird beats her broken wings against the bars, trying to free herself.
I realize I am crying as I draw.
I stop drawing, the bird’s head only partially done. I rest my head against the chalkboard and breathe deep, calming myself.
Then I lift my head and my hand and start drawing again.
Two little girls with daisies in their hair, playing below a white-hot sun. Then two older girls, at a wedding, with daisy bouquets in their hands. One a bride, the other her maid of honor. Then the girls wearing daisy-patterned aprons, each with a babe in their arms. Then at a grave, with wilted daisies lying at the headstone, clinging to each other through the tears.
I stare at the chalkboard silently, looking at my work. I reach up and wipe it away in three smooth strokes. Against the vaguely visible drawings I write.
They are coming. You must go.
I sign my name--Alana--and sketch a daisy, and I turn to go.
I weave through the desks, brushing my hands against the scratched, battered wood. I turn the lights off, hiding my message from view. Then I close the door behind me and vanish once again.
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